FORT VALLEY STATE UNIVERSITY

Department of English and Foreign Languages
Current Syllabus, good through 12/09
ENGL 4793 Genre:  Drama

course web site:  http://www.keithmurphy.info/drama/4793.htm/


 

 

 

Instructor: Keith Murphy, Ph.D.
http://www.keithmurphy.info
Office: 238 HMB.
Office hours announced in class.
Telephone: (912)825-6680 (messages only: 6392)
Fax: (912)825-6110
Email: Sophist@Bigfoot.Com

blog randomdepth.blogspot.com
Yahoo Instant messaging ID:  docsophist


Prerequisites:  A grade of "C" or above in ENGL 2111 or 2112, and two survey courses in American and/or English literature.  Any student who has not had the survey courses should receive permission from the instructor in order to be enrolled in the course.

Course Description:  Students will study the major and minor works of a genre of drama demonstrating the emergence, development and major themes of that dramatic genre as well as the related conventions during the historical period in question.  Students will also examine a number of critical approaches and apply them to the works.  Specific genres may include Jacobean Drama, Greek Tragedy, Restoration Theatre, Theatre of the Absurd of post-modern drama.  May be taken more than once under different sub-headings.  [See reading assignments for specific authors and works].

Course Objectives:  As a result of successfully completing the course, a student should be able to do the following:

  1. Distinguish particular twentieth century issues, themes, and perspectives in drama and be able to identify them in individual playwrights.
  2. Recall and apply literary and cultural concepts.
  3. Distinguish important aspects of individual playwrights.
  4. Demonstrate the ability to analyze and interpret literature and to employ research and criticism effectively in the written analysis of literature.

Education or Major Outcome Objectives:  As a result of completing this course, students should have achieved the following general education and major outcomes: 

 [7L]  In works of writers such as Stanley Kubrick and Bruce Jay Friedman, students will read about, discuss, and analyze the impact and repercussions on today's society of the Cold War and World War II.  In these same authors, students, through written and oral analysis, will assess the impact of changing gender and social roles as they are represented.

[2L]  In essays and on essay examinations, students will demonstrate knowledge of major playwrights, as well as important economic, cultural, and social changes which occurred during the time each playwright was working.


Required Texts and Materials:
Required Text: 

Plus the appropriate works selected by the class from the attached reading list.  The class will, in the first few meetings, select the plays we will study this semester. AT THAT TIME, order the plays we can't get for free online from amazon.com (or some other website-- hint, for faster service, don't order used books as they are supplied by secondary suppliers and not Amazon.  These suppliers can take up to TWO WEEKS to ship your books.) or a local bookstore

Supplemental readings will be posted to the class website or distributed in class.

I will be providing you with a great deal of photocopied material.  To offset the expense of this, you will be expected to provide me with one package of photocopier paper.  You can purchase this at Wal-mart, Staples, etc. for two or three dollars.  You will also need at least one diskette, web access, and a valid EMAIL address.


Course Policies

Attendance. The student will attend class regularly. Attendance will be recorded daily. If a student arrives late, it is their responsibility to make certain the instructor records them as present. The student, not the instructor, is responsible for any work missed whether or not the absence is excused. Be Aware: This is NOT a class that one can pass by merely getting there in time to sign the roster.

FVSU has an official policy on "cuts" or unexcused absences which states that students may be absent from class a number of times equivalent to the credit hour value of the class. This is a 3 credit class, thus, you have 3 allowed absences. The policy also states:

"The student may expect to lose one percentage point for each absence in excess of the above scale. (Points to be deducted from the final course average.) Exceptions to this policy in regard to point reduction may be approved by the instructors involving death in the family, illness of the

student or member of the immediate family, or military duty. It is the student's responsibility to provide legitimate written excuses (From the office of the Vice President for Student Affairs) to the instructors of classes involved. Other reasons not covered here must be cleared with the appropriate school office.

An absence may be excused if cleared with the instructor in advance or if the student can provide a written excuse with the date, signature, and phone number from some responsible person. Graded assignments missed due to excused absences may be made up within one weeks of the student's return to class; however, it is the student's responsibility to initiate such arrangements and to persist in efforts to complete the work within the deadline." (FVSU Undergraduate Catalog)

The institutional policy on absences will be employed in this course.  This means that any unexcused absences which total more time missed than the credit hour value of the course will reduce your final grade by 1 full percentage point.  For an absence to be excused, you must go to the Vice President for Student Affairs and request an official excuse.  However, attendance and participation are critical to passing this course.  In addition, being absent does not excuse you from your responsibilities for that class period.  Even if your absence is excused, your work must be turned in ON TIME.

Grading Policy:  Letter grades translate into numerical grades as follows:  A=90-100; B=80-89; C=70-79; D=60-69; F=59 and below.  The student is responsible for maintaining copies of all drafts of all assignments to include in the final portfolio.  The portfolio is used to determine whether the student has successfully passed the course.  Any essay may be revised once within seven days of receiving returned work (within time constraints).

Grading Criteria:
Most of the work in this course is composed of relatively long, structured essays.  Most of these will be written outside of class, typed, and may require you to do (and document) outside research.  The criteria for those works is as follows: 

To earn a grade of C, an essay or an assignment must:

An essay fulfilling the above criteria represents acceptable college work. To exceed this criteria, an essay must show superiority in content and development, organization and coherence, sentence style, and vocabulary.

To earn a "superior" grade of A or a grade of B  which represents "good" work, an essay or assignment must fulfill the requirements for a C and:

In-Class Essays may be graded on a three-point rubric.  In-class essays will be evaluated based on the following criteria:

The “3” essay shows distinction.  It meets all and exceeds most of the criteria for a “2.”  The ideas are expressed freshly and vividly, and the essay arouses the reader’s interest to a greater extent that the typical “2” essay.

The “2” essay meets the basic criteria. It has a central idea related directly to the assigned topic and presented with sufficient clarity that the reader is aware of the writer’s purpose.  The organization is clear enough for the reader to perceive the writer’s plan.  The paragraphs coherently present some evidence or details to substantiate the points.  The writer uses ordinary, everyday words accurately and idiomatically and generally avoids both the monotony created by series of choppy, simple sentences and the incoherence caused by long, tangled sentences.  Although the essay may contain a few serious grammatical errors and several mechanical errors, they are not of sufficient severity or frequency to obscure the sense of what the writer is saying.

 

The “1” essay fails to demonstrate competence.  It has any one of the following problems to an extraordinary degree or it has several to a limited degree:  it lacks a central idea; it lacks a clear organizational plan; it does not develop its points or develops them in a repetitious, incoherent, or illogical way; it does not relate directly to the assigned topic; it contains several serious grammatical errors; it contains numerous mechanical errors; ordinary, everyday words are used inaccurately and unidiomatically; it contains a limited vocabulary so that the words chosen frequently do not serve the writer’s purpose; syntax is frequently rudimentary or tangled; or the essay is so brief that the rater cannot make an accurate judgment of the writer’s ability.

 Remember, to receive a passing grade on any essay you must answer the question posed by the prompt, provide a carefully reasoned argument supporting your answer, proffer evidence to support your argument, and demonstrate strong critical thinking and communicative skills.

****Your final grade is wholly based on your portfolio (which MUST include all drafts of all work)****

 which should include 3 small genre take-home exams, the papers based on your individual analysis of a novel, and in-class essays as assigned.  Due-dates will be announced in class.

Assignment List:

Remember that all writing assignments must be typed.  You should save a copy of your work on disk as I will grade your first draft and give you an opportunity to revise your efforts.  I expect you to engage in external research for each of your essays.  In addition, that research had best be correctly cited (including both an in-text citation and a works cited page).  If that concept is unclear to you or you are unfamiliar with the concept of plagiarism, click here.

Instructor's Policies:

No late work will be accepted.  No incompletes will be assigned.  You are solely responsible for getting the work completed and to me by the due date.  Your failure to do so does not constitute an emergency on my behalf.


Tentative Course Schedule

week Theory Topic Reading Assignment links to multimedia
1 Greek Drama Poetics, by Aristotle  
2 Poetics Lysiastrata, by Aristophanes
About Lysiastrata (wiki)
Opening sequence of Trojan Women by Euripides
3 Medieval/Elizabethan/
and Jacobean drama
Troilus and Cressida by William Shakespeare Shakespeare for beginners

Why Shakespeare Matters

Shakespeare:  The True Hollywood Story

Shakespeare and the Globe Theatre

4 Psychoanalytic drama
Criticism
Tennessee Williams:  Orpheus of the American Stage
Streetcar Named Desire
by Tennessee Williams
PBS' 50 years of Desire
A trove of academic research on Streetcar
bios on Freud, Jung
Interpreting Tennessee Williams

Streetcar Named Desire scene

movie trailer for Streetcar

"Stella!"

Jung and Freud:  Unpacking Dream Symbols

Freud as Muse

150 years of Freud

Jung on Jung

Plato and Jung's dialectic

weird symbolism video

5 Structuralism Dr. Strangelove by Stanley Kubrick
brief article analyzing Dr. Strangelove
The Art of Stanley Kubrick

Dr. Strangelove from Ifilm.com

6 Semiotics Steambath by Bruce Jay Friedman
Interview with Friedman and another
Wikipedia bio of Friedman
 
7 PostModernism   The Future of Media

Theatre Arts and Political Activism

Clip from Bladerunner


Reading List for DRAMA
Greek Drama Poetics, by Aristotle  
Poetics Lysiastrata, by Aristophanes  
Shakespeare Troilus and Cressida  
Williams Streetcar Named Desire  
Kubrick Dr. Strangelove  
Friedman Steambath  

 

  For the FVSU conceptual framework, click here.  For more information on NCATE/IRA click here.

Click Here to Read the ENTIRE FVSU Conceptual Framework for the Educational Major

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